I was born in San Gimignano, Italy, in 1955. I studied art and architecture in Florence and, after graduating, started my job in 1980 as a graphic designer.

I had an interest in watermedia painting and, fascinated with this technique and the support of hand-worked paper, I began to paint in watercolor on paper, inspired by the great masters of the past, from Turner to Delacroix until the English and Italian painters of the 1800's. I've tried to follow my personal way in developing my own techniques, searching the landscape to find the shapes and the colors I bring together in unique new compositions.

The landscape most familiar to me is drawn from the sunlight of Tuscany when it is blazing down upon the olive trees and the vines, filtering through the canopy of the forests and starkly illuminating the plowed fields and, finally, defining the thousand narrow lanes of campaign that traverse the Tuscany hills.

http://www.alessandroandreuccetti.com

Alberto Bertoldi was born in 1955.  With the exception of a brief period of time spent at the Art School of Brera from 1974 to 1975, he can be considered a self-taught artist.  Alberto’s paintings portray majestic views with expressionistic and romantic accents.  All his subjects are strongly influenced by the life he has spent in the mountains.

His father, also a painter, encouraged his interest in art.  Alberto’s first personal exhibition was in 1973 in Saint Vincent, and was soon followed by others. He looks to the ancient artists for inspiration, especially those of northern Europe.

After a period away from painting, he began to exhibit his works again in 1992.  As the public and art critics alike developed a taste for his art, he was able to abandon all other endeavors and concentrate only on his art.  From 1992 until the present, he has participated in approximately 30 personal exhibitions.

http://www.albertoldi.net

The Oak-plantations of Alentejo are called “Montado”. This space is one of ritual, a landscape built throughout thousands of years. Manuel Casa Branca gets from its symbols, (the cork tree, the dolmen, the menir) the elements that create his painting

In a concerned look with the constant aggression on the ecologic and historic patrimony, he finds in the cork tree the symbol of all fallen trees, of all the ecosystems in danger. The painting of a place could be a call of alert for a globalisation without scruple. A solution of balance between forest and man also emanates from these trees. When man takes care of cork trees, they offer him many gestures of millenary choreographies.
Researching about painting is also his task.

Figuration is thought and built over the elements of plastic language, and exploited by the contemporaneity. Those environments are crossed in several ways.

http://www.mcasabranca.com

"In my work I try to incorporate  the external, topographical landscape and, at the same time, make references to the interior , crystallographic structure that defines these forms. Whilst influenced  by my earlier life as a metallurgist these images are but memories of internal structures, not factually correct configurations. They attempt to convey the timeless nature of the forms  and thus make little reference to ephemeral features.

Earlier paintings do make references to ephemeral features and also include references to actual places. Different visual viewpoints , climate changes and the like are interpreted in the geometric structures incorporated in my work. For the last 23 years I have been mainly concerned with the study of the Spanish landscape."

http://www.alanburden.com

http://www.artists-atelier.com/cope.htm

Felicia was born in Binis, in Romania, on August 6, 1963. Since 2002 she has lived in Mora, Portugal. She studied painting in the Popular School of Art of Resita in her home country, and she has taken many private painting lessons.

Felicia is a member, since 1999, of the "Uniunea Artistilor Plastici din Romania", branch office of Resita. She also is part of the association "Artistes Peintres Independants Ariegeois" of France, being nominated as corresponding member for the eastern countries.

In 2006 she won the award for fast painting given by the Montemor-o-Novo City council.
She also has works in private collections in several countries in Europe and the United States."

http://www.feliciatrales.com

Giorgio Maria Griffa was born in Italy, in 1944. His water colours have been exhibited in galleries all over the world and accounts of his trips have been published in numerous magazines in Italy and abroad. He wrote and illustrated the volume 'Breakfast and Brunch' (1988). In 1995 he published 'Tierra del Fuego'. In 1998 he travelled in the Antarctic and South Georgia painting the old abandoned whale stations and followed the epic voyage of the explorer Ernest Shackleton. 'Water-colour Journeys' (1999), came out the following year. In 2005 he published 'The Stevenson's Lighthouses'.

"There are those who have to be the first to climb peaks, cross seas and tramp across lands to feel great emotions. As for me, I think it is enough to travel alone to render many emotions unique. I do not think one needs a machete to make way for emotions. So, painting a number of wrecks found who knows where, a lighthouse, an empty urban landscape or a deserted station, becomes an adventure for me."

http://www.griffa.com

Daniela Hartl-Heisan lives and works in Vienna, Austria. With a degree in graphic design she spent several years in the publishing field before opening Owlstudio in August of 2001. Her Web site shows her talent in capturing landscape and wildlife in various mediums. Daniela works in watercolor, oil or graphite. She is member of Worldwide Nature Artists Group and has shown her work in many international exhibitions.

Daniela also works as Ex Libris / Bookplate artist and designed during the last years more than 100 individual Ex Libris for commissions given by customers from the whole world.

http://www.owlstudio.at

"Nature is the teacher and it is nature that teaches me to see the subject and gives me an immense feeling of love."

Vitali Komarov is an artist who enjoys working from nature. Embedded in the European tradition, he has been strongly inspired by Vincent Van Gogh, developing further the techniques and vision introduced by the master. Vitali's paintings are full of life, with every season offering many wonderful subjects. His vision of the world is full of hope; his colours are bright, yet sensitive. His paintings uplift the spirit and promise new beginnings. What really matters to him is to be truthful and simple in conveying his vision to his audience.

Vitali lives in the Czech republic but has travelled widely to find inspiration for his work. To see his exquisite collection, please visit his website. Enjoy browsing through the pages, and don't forget about the walls in your house - they should not be left bare!

http://komarovart.com

I was born in 1950, in Mosonszentpéter, Hungary. I took a degree in drawing and geography at the Teacher Training College in Pécs. Every summer I attended the courses of the work of Open School of István Szönyi Fine Arts in Zebegény and for some years I took part in the work of Open School of Mártély. I have specialized on oil painting since 1985.

I have been the member of Universal Hungarian Artistic Association-EMKES- Stockholm and the New Yorker SOHO and CHELSEA Artistic Communities.

About my painting:
I intend to create European fine art painting. I believe in building upon the past, but without ignoring it. I paint tablepaintings and canvas pictures with oil. I use the trinity of perspective, light and colour. I want to combine plein air with expressive light effects. I work with special painting tools, alla prima, without predrawing. The style of my paintings is impasto and plastic.

http://www.artkorszak.hu

I share my birthday (7.7) with Marc Chagall; with W.A.Mozart I share my love for music. My life, as well, has two focal points: my 1st vocation as a specialist for internal medicine and, since 2002 after an accident (1997) and setting new priorities, exclusively as an artist

• Internat. Summer Academy of Fine Arts Salzburg (A) 2005, 2006
•University of applied Arts Vienna (A) 2006
•Journey for studies to China (2006)

Awards: Hollfeld (D) 2006, Intern. Zauberbergprice 2006, 2005 (winner),2004
Solo and group exhibitions in Austria, Germany, Slovakia, Bulgaria.

"I'm feeling with my eyes, hearing with my soul and thinking through my
heart! Via my paintings I try to express things I'm hearing, seeing and
feeling!" Now, I'm especially interested in expressive working - landscapes and nude
studies. For me it is magic to make the immaterial visible through the use
of light and colour!

http://monika.lederbauer.com

I was born in 1963, in Kapuvár, Hungary. In 1985 I took a degree as a drawing teacher at the College of Szombathely. My teachers were György Mészáros and the Munkácsy prize-winner János Szurcsik.Since 1985 I have regularly taken part in collective and individual exhibitions (Györ, Csorna, Kapuvár, Mosonmagyaróvár, Békéscsaba, Veszprém, Szentes, Klagenfurt Vienna and Budapest). I have been working as a freelance painter since 1992.

In 1997 I won the first prize in the category of painting in the national competition of fine arts, which was announced in Veszprém on the occasion of Gizella-days.

My paintings can be found in Spanish, Canadian, German, Austrian, Finnish and Hungarian private collections.

http://www.artkorszak.hu

Annie Taylor learned to paint in America, where she was a partner in a studio and art gallery on Long Island. After a considerable gap, working in show business and raising a daughter, she returned to painting in 2004 and has been working as a full time professional artist since June 2005, selling her work through exhibitions in London, across the UK and directly on the internet.

http://www.annie-taylor.com

http://www.williamjameswoolf.com/